2001: A Space Odyssey (1968) 1080p YIFY Movie

2001: A Space Odyssey (1968) 1080p

2001: A Space Odyssey is a movie starring Keir Dullea, Gary Lockwood, and William Sylvester. A space-opera spanning the dawn of man to humanity reaching the stars, 2001: A Space Odyssey tells the story of the Black Monolith,...

IMDB: 8.38 Likes

  • Genre: Adventure | Sci-Fi
  • Quality: 1080p
  • Size: 2.98G
  • Resolution: / fps
  • Language: English
  • Run Time: 149
  • IMDB Rating: 8.3/10 
  • MPR: Normal
  • Peers/Seeds: 2 / 12

The Synopsis for 2001: A Space Odyssey (1968) 1080p

"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be.


The Director and Players for 2001: A Space Odyssey (1968) 1080p

[Director]Stanley Kubrick
[Role:]Daniel Richter
[Role:]William Sylvester
[Role:]Gary Lockwood
[Role:]Keir Dullea


The Reviews for 2001: A Space Odyssey (1968) 1080p


Mesmerizing experienceReviewed byTorgo_ApprovesVote: 10/10

(r#54)

Only Stanley Kubrick could create a film like 2001. It is unlike anything made before or after it and whether you like it or not, it is an unforgettable experience. I urge anyone who disliked this film to give it at least one more chance - I can honestly say that the film was way too far off the wall for me to appreciate it the first time I watched it.

2001 is overflowing with iconic images, from the opening scene accompanied by Richard Strauss' "Thus Spoke Zarathustra", to the bone being tossed into the air by the ape. It has become such a huge phenomenon that even today TV series, movies, parodies and comics continue to spoof it. It is impossible to hear The Blue Danube without associating it to Kubrick's masterpiece. And that is what it is, in every sense of the word: a masterpiece. Nothing is half-baked or average about 2001 - it is a work of enormous attention to detail and love for the art of movie-making itself. Although Kubrick continued to direct amazing movies like The Shining, A Clockwork Orange and Full Metal Jacket (which were all far more accessible movies) after 2001, he couldn't top this: his crowning achievement.

It's easy to see how viewers may be put off by 2001 - it doesn't follow the usual movie formula where the plot comes to a conclusion at the end. In fact, neither before nor after 2001 has a movie been made the same way. Plot line and characters are more or less redundant in this film: It's all in the images and music, and what it all means. I won't go into the point of 2001 since I haven't read the book and I think it is up to each viewer to decide for himself what it all means.

The movie jumps from the very dawn of man's use of weapons to a time when space is heavily trafficked, and continues to show us the fate of some unlucky astronauts at the hands of a super-intelligent computer called HAL-9000. I won't spoil what happens in the end but I will say that if you could see it coming, you must be some kind of super genius; as far as I'm concerned it is the single least predictable ending for a movie, ever.

Kubrick is the only director that I know of who has portrayed space in the most realistic way possible: vast, endless, dark, empty, and soundless. It's admirable that a director goes out of his way to make sure no sounds are heard in space, but rather than let this make the movie dreary and dull, Kubrick uses this to his advantage: the chilling silence of some scenes actually help build up the atmosphere in a way that no movie has done before. Some scenes are outright scary, working at an almost subconscious level. Kubrick has always been a master of creating moods and emotions with the viewer, and 2001 is the prime example of this: The climactic scene in the bathroom is unbelievably frightening, and Kubrick creates a sense of dread purely without monsters, murderers or loud music. It's amazing.

The movie is highly meditative and definitely not the one to watch if you want a loud, action-packed Star Wars-type adventure. The long periods of near-complete silence, the low-key dialogue, HAL's monotonous voice (a stroke of genius) and the scattered pieces of classical music set you in a state of complete relaxation and makes you think. I realize this is highly personal and will not work for all viewers.

The special effects are pitch-perfect, still as good today as they were almost 40 years ago. While the digital effects of the Star Wars prequels will be outdated in 10 years, 2001 will continue to stun people with its shockingly realistic and believable effects. Although I would have preferred Kubrick to win the Best Director Oscar for this (as well as many of his other films), the Best Effects award is completely deserved. 2001 still beats many of today's movies in terms of best effects.

If you've grown tired of mediocre movies, give 2001 another chance. At first viewing, I thought it was tiresome and drawn out. At second viewing, it was the most perfect movie ever made. If you're open minded, this is for you, if Pirates of the Caribbean is your favourite movie of all time, it's not - and I don't say this to insult fans of Pirates, I'm just saying that this film might not be up your alley.

I hope I don't sound too pretentious because I know how horrible many of 2001's rabid fans can be. I know for sure that it is not certain you'll enjoy 2001 - but I urge you to give it a chance. It is the ultimate acquired taste, and in my opinion, a masterpiece of epic proportions.

Kubrick's "Black Square"Reviewed byVVBVote: 1/10

I normally keep my movie thoughts to myself but this movie affected me to the point of voicing myself out.

Movies are typically evaluated via (i) more/less objective attributes (plot, ideas, action, cinematography, etc.) and (ii) emotional impressions they leave. While the latter is extremely personal and diverse, some convergence can be achieved in the former. Unfortunately, this piece greatly fails in it: no plot, no original ideas, no action, horrible cinematography, and a very repetitive soundtrack. As far as the emotional impression goes: well, in my case, it gave me a highly unpleasant aftertaste: a very pretentious schizophrenic nightmare...

Why is it so overrated then? I'd hypothesize that it is for the same reason as in the case of Malevich's "Black Square". When one sees something a piece of "art" of that type, there seem to be two typical reactions: (i) "There is nothing there, it is junk." and (ii) "There is nothing there but it must be great because everyone else thinks it's great. Then it must be an art." So what created this mob fame effect for this movie? I don't know for sure but it might have been the big names of S.Kubrick and A.Clark. Once such a "snowball" starts rolling down the hill and picks up the momentum, it is more difficult to stop it than to roll with it.

Please trust your own independent feelings. Things don't become better because a million of other people say they are brilliant. Cheers.

Unmatched accomplishmentReviewed bySimon BoothVote: 10/10

Sometimes reading the user comments on IMDB fills me with despair for the species. For anybody to dismiss 2001: A Space Odyssey as "boring" they must have no interest in science, technology, philosophy, history or the art of film-making. Finally I understand why most Hollywood productions are so shallow and vacuous - they understand their audience.

Thankfully, those that cannot appreciate Kubrick's accomplishment are still a minority. Most viewers are able to see the intelligence and sheer virtuosity that went into the making of this epic. This is the film that put the science in "science fiction", and its depiction of space travel and mankind's future remains unsurpassed to this day. It was so far ahead of its time that humanity still hasn't caught up.

2001 is primarily a technical film. The reason it is slow, and filled with minutae is because the aim was to realistically envision the future of technology (and the past, in the awe inspiring opening scenes). The film's greatest strength is in the details. Remember that when this film was made, man still hadn't made it out to the moon... but there it is in 2001, and that's just the start of the journey. To create such an incredibly detailed vision of the future that 35 years later it is still the best we have is beyond belief - I still can't work out how some of the shots were done. The film's only notable mistake was the optimism with which it predicted mankind's technological (and social) development. It is our shame that the year 2001 did not look like the film 2001, not Kubrick's.

Besides the incredible special effects, camera work and set design, Kubrick also presents the viewer with a lot of food for thought about what it means to be human, and where the human race is going. Yes, the ending is weird and hard to comprehend - but that's the nature of the future. Kubrick and Clarke have started the task of envisioning it, now it's up to the audience to continue. There's no neat resolution, no definitive full stop, because then the audience could stop thinking after the final reel. I know that's what most audiences seem to want these days, but Kubrick isn't going to let us off so lightly.

I'm glad to see that this film is in the IMDB top 100 films, and only wish that it were even higher. Stanley Kubrick is one of the very finest film-makers the world has known, and 2001 his finest accomplishment. 10/10.

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