A Night Out (1915) 720p YIFY Movie

A Night Out (1915)

After a visit to a pub, Charlie and Ben cause a ruckus at a posh restaurant. Charlie later finds himself in a compromising position at a hotel with the head waiter's wife.

IMDB: 6.12 Likes

  • Genre: Comedy | Short
  • Quality: 720p
  • Size: 339.55M
  • Resolution: 944x720 / 24.000 FPSfps
  • Language:
  • Run Time: 33
  • IMDB Rating: 6.1/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 0

The Synopsis for A Night Out (1915) 720p

Charlie and Ben pay a visit to a pub, then decide to visit a swanky restaurant. Now intoxicated, they come into conflict with a French dandy and his ladyfriend. The large head waiter violently ejects Ben, and later ejects Charlie also. The pair pay another visit to a pub, then make their way to their hotel. They become interested in a pretty young woman staying in the room across the hall, but when Charlie spies on her through the keyhole a bellboy makes him stop. Charlie is taken aback to realize that the young woman's husband is the head waiter from the restaurant. He promptly checks out and moves to another hotel. Meanwhile, the head waiter and his wife, dissatisfied with the service, also decide to move to another hotel-- and, unfortunately, choose the same one Charlie has chosen, and once more wind up in the room across the hall from him. When the young woman's dog runs into Charlie's room she follows in her pajamas. Her husband returns to find his wife with Charlie in an ...

The Director and Players for A Night Out (1915) 720p

[Role:]Charles Allen Dealey
[Role:]Ben Turpin
[Role:Director]Charles Chaplin
[Role:]Charles Chaplin

The Reviews for A Night Out (1915) 720p

"Hit me, not my pal"Reviewed bySteffi_PVote: 6/10

This was Charlie Chaplin's second picture at Essanay studios, and his second to co-star Essanay's resident funny man Ben Turpin, who had been with the studio since its first picture in 1907. With the exception of his earliest Keystone appearances, many of which were ensemble pieces, A Night Out is perhaps the closest Charlie came to being part of a double act.

Turpin was neither as versatile or inventive as Chaplin, but he had bags of experience and his movements were spot on. In particular, and importantly for this picture, he could do a great drunken lurch and could pratfall superbly. Here he has almost as much screen time as the tramp himself, and even gets a few bits of comedy business to himself. Chaplin's male co-stars tended to be the butt of much of the physical comedy, and because he falls so well, every time he gets knocked down he draws attention to himself and away from Charlie. Turpin is hilarious here and he really lends something to this picture, but to progress Chaplin couldn't let anyone share his limelight, and it's no surprise that the pair would make just one more picture together.

Like most of the early Essanay shorts, A Night Out doesn't really have much in the way of plot, being simply the tramp (or, in this case, tramps) wandering around causing mayhem in an established environment. Although the result is not entirely satisfying, Chaplin does take time to develop his tramp character with drawn out comedy routines and interaction with the props and people of the setting. He is continually reducing the number of edits and keeping each series of gags to a single shot. For example, in the Keystone pictures and his first Essanay picture (His New Job), when characters get pushed over, more often than not there is a cut showing them flying into the next frame. However, in those early scenes in the restaurant in A Night Out, whenever people fall down it's towards the back of the room, so as not to break the flow at this more relaxed stage of the picture. Chaplin does however put in a few of these two-shot pratfalls towards the end to liven up the frantic finale.

A Night Out marks the debut of Edna Purviance, who would be Chaplin's only leading lady for the next eight years. Chaplin didn't demand his female leads become part of the comedy, he only required them to act well, and Purviance was a superlative actress. She is a relatively minor figure in this one however, although Chaplin does treat her to one of his rare close-ups. A Night Out is also the first time we get to see Leo White's "French character". White was another hilarious supporting player in the Chaplin troupe, who at times would also threaten to upstage Charlie, although his comic persona – a stuck-up, straight-laced twerp – was so different to Chaplin's that he made a perfect counterfoil and antagonist for the tramp. Ben Turpin however was too similar to Chaplin's tramp character, so his days as Charlie's sidekick were numbered. A Night Out is the best opportunity to see him in action.

And now, the all-important statistic –

Number of kicks up the arse: 4 (3 for, 1 against)

too simple a plot--too much like ordinary slapstickReviewed byMartinHaferVote: 4/10

This is one of 5 Chaplin that are on the first DVD of Chaplin's Essanay Comedies. In general, compared to volume 2, the shorts on volume 1 aren't as well-made--because the DVDs are arranged chronologically. Chaplin's skill as a film maker and actor appeared to improve through his stay with Essanay Studios.

Charlie spends most of this film drinking and fighting with Ben Turpin. Later, a man and wife check in the hotel room across from their room and hilarity does not necessarily result. This is a standard slapstick-type film with lots of hitting and over-acting. Chaplin's genius is not exactly evident here--just slapping, pretending to get drunk and flirting with the wife. Nothing new or interesting here.

Goodbye Ben Turpin, and Hello Edna!Reviewed bywmorrow59Vote: 6/10

Viewers interested in Charlie Chaplin's early work (i.e. the rough stuff, with lots of drunken foolery and butt-kicking) may well enjoy this film. I confess I enjoyed it, the way I might get a kick out of watching Championship Wrestling for twenty minutes or so. If it's Chaplin the Artiste you want then try the later productions, but if you're in the mood for rude and unrefined slapstick then A Night Out should fit the bill nicely.

This is the second film Chaplin made for the Essanay company, and it also marks the second and last time he teamed up with knockabout comic Ben Turpin. Chaplin and Turpin don't pair especially well on screen, and it's said they didn't get along off-camera either, which is no surprise. Chaplin was a gifted mime, an inspired comedian and an exacting filmmaker, while Turpin was a low-comedy clown with crossed eyes. Ben could take a fall with the best of them, but it's said he didn't understand why Chaplin the perfectionist demanded take after take of each scene. There in a nutshell you have the difference between an artist and a hack.

As it happens, despite the modest trappings of this film Chaplin's special gift comes across in several nice little moments. Early on, during the sequence in a swanky restaurant, the drunken Charlie stands at an indoor fountain and suddenly seems to believe he's washing up in the privacy of his own home, so naturally enough he brushes his teeth with the stem of a plant. It's a strange bit of business, almost dreamlike, but Chaplin makes it appear perfectly normal and routine. Later, checking into a hotel, Charlie attempts to rest his foot on the bar rail -- which happens to be invisible -- and drink ink from the inkwell.

This film is most notable as the debut of Chaplin's longtime leading lady Edna Purviance, who was only 19 years old at this time and very pretty indeed. Her first scenes are fairly low-key, but later on, when she's in pajamas playing with her dog, Chaplin grants Edna a couple of close-ups which look something like a screen test. Obviously she passed the test with flying colors, for Edna went on to play opposite Chaplin in virtually every film he made for the next eight years, the happiest and most prolific period of his creative life. If for no other reason, A Night Out is worth seeing for the debut of this beautiful and underrated silent screen actress.

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