Blade Runner 2049 (2017) 3D YIFY Movie

Blade Runner 2049 (2017) 3D

A young blade runner's discovery of a long-buried secret leads him to track down former blade runner Rick Deckard, who's been missing for thirty years.

IMDB: 8.222 Likes

  • Genre: Drama | Mystery
  • Quality: 3D
  • Size: 2.50G
  • Resolution: 1920*1080 / 23.976 fpsfps
  • Language: English
  • Run Time: 163
  • IMDB Rating: 8.2/10 
  • MPR: Normal
  • Peers/Seeds: 2 / 17

The Synopsis for Blade Runner 2049 (2017) 3D

Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.


The Director and Players for Blade Runner 2049 (2017) 3D

[Director]Denis Villeneuve
[Role:]Ryan Gosling
[Role:]Harrison Ford
[Role:]Ana de Armas


The Reviews for Blade Runner 2049 (2017) 3D


A sleek, expensive and obedient skin-jobReviewed byNikolaos StampoulopoulosVote: 5/10

Blade Runner (1982) was a happy (yet gloomy) accident, involving: a) a young and ambitious director who fought ferociously with studio executives in order for them to let him fulfill his vision; b) a rising blockbuster star who wanted to prove he can also act in a serious movie; c) a crazy Dutch actor who decided to change the script and improvise one of the most memorable monologues in film history; d) a bunch of talented artists who wanted to make a movie that would look and sound different from anything else we had seen before. And most of all, e) a post-Vietnam turbulent era when Hollywood rebels like Coppola, Scorsese and Cimino were audaciously attempting to reinvent the language of cinema, telling stories that mattered and not caring at all about target audiences and marketing trends. As a result, Blade Runner was a box office failure that slowly became a legend, breaking stereotypes like "good guy kills bad guy at the end" and dealing with existential agony on an almost metaphysical level; always within the context of a gritty corporate dystopia in the near future.

Blade Runner 2049 is none of these things. On the contrary, it's the flawed triumph of a next generation of studio executives, who control the creative process by paying millions to the industry's best of the best, providing they will make something that will take advantage of a successful brand name in order to bring profits to shareholders. If there is one word to describe this movie, it's "replicant". Not the kind of replicant who realizes that "all those moments will be lost in time, like tears in rain" as he dies, but a sleek, expensive and obedient skin-job that will try to entertain you and if it succeeds will return as a sequel that will eventually become yet another franchise. I spent 160 minutes of my life watching a pleasant and perfectly constructed piece of nothing, and I didn't care for a moment about any of the characters or a storyline that was designed without the intention to question and redefine a single thing. All its moments have already been lost in my memory, while the original Blade Runner remains vivid in my mind, as if I only saw it yesterday.

A visual masterpieceReviewed byW.DrummenVote: 10/10

Let me start by saying that I am a huge Denis Villeneuve fan and absolutely love every movie he made, from his breakthrough drama 'Incendies' to the action thriller 'Sicario'. But when I learned that he was going to make a sequel to Ridley Scott's iconic Blade Runner I had mixed feelings. Would he be able to live up to the expectations and make a sequel that could measure itself with the original? For this reason, I went into the cinema thinking ''This will be a great movie, I am a Villeneuve fan so I have to like it'' but that was a mistake, for once I stopped expecting and just started experiencing the film, I was enchanted by all of its visual beauty. I was wrong to doubt Villeneuve; his 'Blade Runner 2049' even succeeds in transcending in some ways the original masterpiece, especially as a visual experience.

The bleak dystopian future Scott so perfectly created is even more beautiful in Villeneuve's 2049, for which a lot of credit has to be given to the brilliant director of photography Roger Deakins, who has made one of his best works (which says a lot). Every shot is brilliant, I loved every single frame and I cannot imagine that he wouldn't get nominated and win an Oscar for this phenomenal work. But also a big thumbs up has to be given to the entire effects team, for Deakins didn't do it all on his own.

Deakins isn't the only mastermind at work, for the score is also beautifully done. When I learned that composer Jóhann Jóhannsson (someone who has collaborated multiple times with Villeneuve and did most of the scores for his movies) got fired I was surprised; Jóhannsson has always delivered great work, but according to Villeneuve, his score ''wasn't the right one'' for this movie for it didn't ''resemble Vangelis soundtrack for Blade Runner'' quite enough. So he got replaced by probably the best man in the business nowadays; Hans Zimmer. And as we are used to with the German composer, this was once again sublime and a great homage to the original. Zimmer's 2049 score can be compared to his Dunkirk score, in a way that it unsettles us from the first chord and just as the Second World War movie, it keeps us on the edges of ours seats, especially during the last hour.

As for the people who are actually situated in front of the camera, they all play their parts very well. I was especially happy that Ryan Gosling's agent K was indeed the leading man and he did a very good job. I was slightly concerned that it would mostly be about Harrison Ford's Deckard, but luckily that wasn't the case. Nevertheless, Ford gives one of his best performances in years and after all the iconic roles he played once again in recent years (Han Solo, Indiana Jones) this is by far the best. The smaller but important roles are also noteworthy; Robin Wright's Lieutenant Joshi makes a fierce and convincing police chief, while the villain duo Jared Leto's Neander Wallace as the evil head of a corporation at the top of the new world order and his frightening hit-woman Luv (Sylvia Hoeks) are also very impressive. Last but not least, Ana de Armas is also very good as Joi, K's girlfriend (even if she does remind me a lot of Scarlet Johansson in 'Her' and slightly of Alicia Vikander in 'Ex Machina', but maybe that's something Villeneuve did that on purpose and wanted to pay homage to these recent but also very good science-fiction movies).

That said, Villeneuve will receive most of the credit, as he should. For unlike most of Hollywood's blockbusters nowadays, he doesn't simply deliver us a spectacle with some nice effects or a reboot of the original, but he picks up the threads where Scott left, which was a monumental task, for the original 'Blade Runner' is one of the most impressive and iconic movies ever made. 2049 continues on the same topics raised by the original, making the sequel worth the 35-year long wait; it goes further with what was proposed in the first installment, enriching one another. It is possible that one day a third installment could be made, but that is only if any director will ever find the courage to make another 'Blade Runner', for the bar is raised incredibly high. I believe that in time, 'Blade Runner 2049' will just as the original one, grow into a cult movie, and rightfully so, for it is its own movie, but, just as the original, a visually remarkable, achingly human sci-fi masterpiece.

I am not going to say more about it, because the studio has been unusually insistent in its pleas to critics and the first movie viewers not to reveal any plot points, but I am glad they did. Even if I could go on and on about the movie and the difference between replicants and humans (or is there really much of a difference, after all?) the less you know the better, because 2049 feels at its best when it surprises (which is one of Villeneuve's greatest strengths). This is a movie best experienced on the biggest screen in your cinema; trust me, it will be worth your while. As for me, I will most likely try and make some free time in my schedule for the coming days, 'cause I want to go the cinema again, guess what I'm gonna watch...

Beautiful Atmosphere and an Interesting Mystery Help Blade Runner 2049 Continue a Classic StoryReviewed byCANpatbuck3664Vote: 7/10

I've only seen the original Blade Runner once and it was a long time ago. I liked it but I just haven't got around to revisiting it. I mention this because even though I'm not a die-hard fan of Blade Runner, I still found the plot of 2049 engrossing. It's a well put together mystery, I found that they constantly took the plot in unexpected directions and other than the trailer spoiling the return of Deckard, I was always excited about what was going to happen next. The movie pulls an excellent bait and switch at the end that really surprised me. They made the right decision to not repeat the formula of the first one and take the story to a new place. They also create some compelling subplots which is something that few movies get right.

The biggest star of this movie is the cinematography and the excellent work of Roger Deakins. The original was noteworthy with the special environment that Ridley Scott and his creative team brought to the screen. That was continued here if not improved upon. The look of L.A. in 2049 they decided to go with isn't completely distinct but it was a little more understated (I'd compare it to the 2017 Ghost in the Shell but less fantastical). My favourite scene might have been a shootout in a defunct club where the lighting and the background show are turning on and off. I don't hesitate to praise when a movie looks good but this is an exemplary example of using visuals and atmosphere to help build on a strong story.

Blade Runner 2049 returns very few of the characters from the original film but they manage to breathe life into this movie through the new ones they created. Officer K isn't the most lively protagonist but he gets an eye-opening character arc that kept me involved. Deckard doesn't appear till later in the movie but he remains interesting and what they decide to do with him makes his appearance worthwhile. I also really liked some of the smaller supporting characters. Sapper really helps kick off the movie, what Joi represents is extremely emotional and Mariette is so mysterious that her involvement brings up more and more questions. Add in that Niander Wallace and Luv make for pretty menacing villains and you have a pretty well-rounded and fascinating script.

I don't think that the actors/actresses will be the focal point of the awards attention that this movie will get but that doesn't mean there aren't exemplary performances. Gosling is good as K, he's deliberately robotic and he accomplishes a lot through his subtlety. Harrison Ford isn't in the movie as much as I wanted him to be (he's still one of my all-time favourite actors) but he holds up his end. He works with Gosling well and they have a solid rapport. Surprisingly, I really liked Sylvia Hoeks. She stole a lot of her scenes and I thought she was great even acting against a stacked cast. Dave Bautista showed he has a lot more range than people give him credit for. Jared Leto is in a very Jared Leto role (deliberately weird and hard to understand) but he does it well and although he might be a little creepy, the guy is still a great actor. I also want to credit Ana de Armas, she was distinctly warm and she showed a lot more emotion than I had seen from her previously.

There were points in this movie I could have rated this a 9/10 but some small things that I had to dock the movie for. Even with a compelling story, the movie has such a long run time that it couldn't help but drag. There are certain scenes where the movie wants you to really drink in the environment but they could have edited it a little tighter. They also couldn't help but lose me at points through how much artistic flair the utilize. Villenueve is an authority in this area and while I appreciate an artistic approach to this science fiction tale, for me they overdid it a little.

I was surprised how much I ended up liking Blade Runner 2049. I think if you're a big fan of the original, you'll love this to bits. This is successful in bringing in the uninitiated but I think fans will enjoy this even more. I haven't been on board for all of Villenueve's films but this is a good combination of his artistic style with enough of a commercial element for the masses. I'd give this somewhere between an 8-9 but with the extremely long run time, I'll give this an 8/10.

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