Wind River (2017) 720p YIFY Movie

Wind River (2017)

A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy.

IMDB: 7.867 Likes

  • Genre: Crime | Drama
  • Quality: 720p
  • Size: 782.91M
  • Resolution: 1280*800 / 23.976 fpsfps
  • Language: English
  • Run Time: 111
  • IMDB Rating: 7.8/10 
  • MPR: Normal
  • Peers/Seeds: 10 / 395

The Synopsis for Wind River (2017) 720p

WIND RIVER is a chilling thriller that follows a rookie FBI agent (Elizabeth Olsen) who teams up with a local game tracker with deep community ties and a haunted past (Jeremy Renner) to investigate the murder of a local girl on a remote Native American Reservation in the hopes of solving her mysterious death.


The Director and Players for Wind River (2017) 720p

[Director]Taylor Sheridan
[Role:]Jeremy Renner
[Role:]Julia Jones
[Role:]Kelsey Chow


The Reviews for Wind River (2017) 720p


Reviewed byRob Ervin (Obi_Bamm_Karaoke)Vote: 8/10/10

When actors decide they want to make the transition to the other sideof the camera and direct films, it can be a dicey proposition. It makesme even more nervous when said actor to director decides they don'thave the acting out of their system and want to keep acting, but with"Wind River," Taylor Sheridan (best known for "Sons of Anarchy," butalso the writer of both "Sicario" and "Hell or High Water" with thiscompleting his American Frontier Trilogy) separates himself in order tofocus on directing a wonderful based-on-a-true-story tale.

Jeremy Renner plays Cory Lambert, a tracker who works for the Fish andGame Commission in Wyoming who gets caught up in the investigation ofthe murder of a young Native American woman on a local reservationduring a series of brutal snowstorms. He partners with FBI agent JaneBanner (Elizabeth Olsen) as they try to navigate the elements and eventhe law as it pertains to the reservation itself and a very thin lawenforcement department headed up by Gen (Graham Greene).

I know there is not much to the above summary, but that is all youreally need to know about this film, besides the fact that I REALLYenjoyed it as one can do with the material involved. Make no mistake:this is a dark film that deals with very haunting subject matter, sothere is quite a bit of weight to it, but Sheridan treats this storywith the highest level of respect by allowing his very well writtenscript to drive it while still shooting it beautifully. To see suchbeautiful landscaping (actually shot in Utah) take my breath away whilestill understanding the danger of what the elements bring from thewildlife to the weather and even the inhabitants add a great layer tothe story, but what takes it to the next level is the score from NickCave and Warren Ellis (not THAT Warren Ellis) that frames each andevery scene perfectly without giving what is coming up ahead.

From a performance standpoint, I really dug the way that both Rennerand Olsen dialed it WAY back within their characters with Rennerkeeping Lambert simple and focused on the task at hand and Olsenshowing how Banner is just trying to do the right thing whileattempting to understand the situation she in AND asserting theauthority she has representing the Bureau. Greene gives great balanceand levity to their dynamic while keeping his character involved as areminder of the heightened sensitivity of their situation.

The Weinsteins' eye for film strikes again here, and I am also lookingforward to where Sheridan's career behind the camera goes as well. Forthis being the second time he has helmed a film, this is incrediblyimpressive and should at least be on your "need to check out" list ifnot all the way to "must see".

What a Start For Taylor SheridanReviewed byThomas DrufkeVote: 8/10

Crime dramas have always been one of my favorite genres of filmmaking, especially the ones that take themselves seriously and pose interesting questions about life. Wind River takes the genre up in the cold, snowy tundra of the Wind River Indian Reservation in Wyoming. Gritty, brutal, and well-timed action, Wind River builds a simply structured crime film into an important conversation about missing persons with a great storyteller and one great cast.

Coming from writing the likes of Sicario and Hell or High Water, Taylor Sheridan is really making a career for himself. It's hard to imagine it's the same guy who made those short acting cameos in Veronica Mars back in the day, but Sheridan is separating himself from the pack in terms of his writing skills. I won't say that Wind River reaches the heights that either of his other two writing efforts did, but the sheer power of the subject matter of this film may take this film into Oscar season.

Jeremy Renner stars as Corey Lambert, a man with a tragic past, teams with Jane Banner (an FBI agent played by Elizabeth Olsen) to solve a murder. It's easy to label Banner as the "out of place woman who needs the help of a hardened man", because it can appear that way at first glance. But I'll view it as two people who cross paths with each other and end up working together to better their current situations. It also doesn't hurt that both Renner and Olsen have pre- established chemistry from the Marvel films, and dynamite together on screen.

However, I do believe that Sheridan could have done a slightly better job of directing the tone of Wind River. There were times where it seemed the actors were giving endearing performances and monologues, only to be sometimes interrupted by a subtle joke or a lighthearted comment. I think that just a minor change in direction of his actors would have changed those moments for the better. With that said, Sheridan's brutal touch of action when the film calls for it is impressive to say the least. It's those moments that helps put a realistic layer to Wind River.

Overall, Wind River is a grounded but moving take on murder, rape, and missing persons cases. Solid performances, sharp script, and nuanced storytelling, Wind River is a fascinating crime drama.

8.0/10

Taylor Sheridan depicts another dilapidated region of AmericaReviewed byJared_AndrewsVote: 8/10

If you've seen any of Taylor Sheridan's previous work, you probably noted that he has a certain style. He tells stories about ways of life in dilapidated regions of the country. He blurs the lines between "good guys" and "bad guys," instead framing the status of the selected region as the truest villain. What's right and wrong, considering all the unique variables of each story, is not always clear. At least, that was case in Sicario and Hell or High Water.

In Wind River, the region is still presented with all the strain that is causes on the lives of its residents, but a much more obvious villain is revealed before the movie is over.

Hell of High Water frames the crumbling economy of a certain Texas region as the real source of evil, rather than any characters. Whereas in Wind River the source of evil is definitely the rapist. I mean, the rapist attempts to blame the cold and silence, but his actions were clearly much worse than bad weather.

Sheridan's previous films also left doubt about who were the heroes, who the audience should be rooting for. This time it was much less ambiguous—they were the people searching for the rapist.

An emerging theme in Sheridan's movies appears to be Tarantinoesque eruptions of violence, sometimes near the conclusion. They don't always reach the levels of the Django Unchained shootout, but Sheridan clearly isn't shy about showcasing the unforgiving damage that can be inflicted by firearms.

Complaints, I have a few. On more than one occasion, I legitimately could not understand what a character had said, so I was left wondering if I missed something important. I'm not sure if this manner of speaking was a choice made by the actors or if this was a decision made by Sheridan to establish a certain tone. Either way, I could have used less mumbling.

The other complaint that I have, and this is more serious, the middle third of the movie felt like it contained a lot of empty moments. This may or may not have been related to the times that I couldn't understand what a character said. Still, the movie could have used a bit of its fat trimmed. It wasn't as crisp and clean as Hell or High Water and Sicario. And I know I keep comparing this movie to Sheridan's others, but that's bound to happen when a writer sets the bar so high with two gems.

On the whole, I consider this a success for Sheridan in his directorial debut. I'd happily watch another story of his about justice and an overlooked culture.

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